Showing Records: 1 - 20 of 156
2 You Cool Hot Mama / Bigus, Richard., 1974
The poem contains the lines, "... 2 you reward me $omewhere in my rapport with Hot Warm Breath from your soft round lips 2 polish my dull brass suspenders." -- Source of annotation: Marvin or Ruth Sackner.
5 & 10 Cents: Brooklyn in da House. No.10 / Janine Gordon., 1999
101 Uses For Sex or Why Sex Is So Important / Sprinkle, Annie., 1991
A Humument Fifth Revision Page 294 / Phillips, Tom., 2002 - 2004
The upper part of the page contains two action figures. The center section is a painting of parts of prostitutes calling cards.The bottom portion contains two red eyes on a bed of hair clippings. The poem reads as follows: "the voices of the other T P - smother and kill - he struck - meeting sudden fire - lunge - He expected the blow, and swerved - This was fast forward action. - How would she lash him? What of her gloves? - her dress like a parted rose What shoes perverse - meeting wild red eyes - against a background of his actual hair." -- Source of annotation: Marvin or Ruth Sackner.
A Humument First Revision Page 93 / Phillips, Tom., 1980
This page consists of two abstsracted figures, one male and one female. The poem reads, "toge at last, drawing her orchard - see the petals palpitating like the wings of her real self opening" -- Source of annotation: Marvin or Ruth Sackner.
A Humument First Revision Page 204 / Phillips, Tom., 1980
This page consists of an abstract male figure and an abstsract female figure in a jungle background.The poem reads, "Grenville as self-savage - Now he came leaping to his unexplored jungle woman who stood amongst wolves - with her only last night, a new kind. mixed with pain." -- Source of annotation: Marvin or Ruth Sackner.
A Humument Fragment: [Paul Veronese...] / Phillips, Tom., 1970
Paolo Veronese (1528 "“ 19 April 1588) was an Italian painter of the Renaissance in Venice. The image reads: Paul Veronese. - he suddenly ejaculated, you know Veronese--- - above the sideboard up in the cupboard - on the wall; On the contrary -- Source of annotation: Marvin or Ruth Sackner.
Action Works Performance 1970-1987 / Padin, Clemente ; Friedman K ; Deisler G ; Koslowski J ; Heartfeld J ; Gutierrez-Marx G., 1987
[Altered Female Models Photographs] / Depew, Wally., 1970
An Iconoclast Who Valorizes the Erotic and Ecstatic / Rosenberg, Karen; Iannone D; Roth D., 2009
This is a review of an exhbition in the New Museum of Contemporary Art and the Anton Kern Gallery in New York. -- Source of annotation: Marvin or Ruth Sackner.
Antonius und Cleopatra / Topor, Roland., 1989
This is the maquette for the poster announcement of the play. The drawing was purchased from Nicolas Topor, the son of the artist. -- Source of annotation: Marvin or Ruth Sackner.
Archive for O!!Zone Visual Poetry 1998 not yet catalogued - will take care of it Marv / Burrus, Harry, editor; Salas P., 1999 - 2000
Stored with O'Zone materials. -- Source of annotation: Marvin or Ruth Sackner.
Black Alephs: Poems 1960-1968, 1969
Black Alephs: Poems 1960-1968 / Hirschman, Jack A.., 1969
This book was designed by Asa Benveniste. There are three black and white photographic reproductions of Verifax images done by Wallace Berman included in this book who also designed the dust jacket. -- Source of annotation: Marvin or Ruth Sackner.
Black Alephs: Poems 1960-1968 / Hirschman, Jack A. ; Berman W., 1969
This book was designed by Asa Benveniste. There are three black and white photographic reproductions of Verifax images done by Wallace Berman who also designed the cover. -- Source of annotation: Marvin or Ruth Sackner.
Book For L / Depew, Wally., 1973
The pages depict nude women in various poses taken from magazines that are rubberstamped with single or multiple letters. The drawing depicts a piece from a jig saw puzzle suggesting that the unscrambling of the letters might have a meaning. -- Source of annotation: Marvin or Ruth Sackner.